Automatic everything on cars – gears, windows,
wing mirrors, central locking, adjustable seats,

Picture shows tactile dropped paving at pedestrian
crossing.
Confusion of terms
Although the basic idea is uncomplicated, it has become confused
by a family of terms and definitions. Labels such as barrier-free
design, universal design and transgenerational design have developed
alongside a growing literature on the subject. These have overlapping
definitions which have not been used with any consistency. However
this paper is more concerned with the consensus of agreement these
ideas share than it is with the differences between them. The Centre
for Universal Design definition of universal design lists some core
aims (see below). Inclusive design shares these objectives, but also
focuses on strategies for achieving them.
Principles of universal design
1. Equitable – the design should be usable
by people with diverse abilities and should appeal to all users.
2. Flexible – the design should cater for
a wide range of individual preferences and abilities. This may mean
some choice in methods of use (such as right or left handed access).
3. Simple and intuitive – use of the design
should be easy to understand, regardless of the experience, knowledge,
language skills, or current concentration level.
4. Perceptible – the design communicates necessary
information effectively to the user, regardless of ambient conditions
or the user’s sensory abilities.
5. Tolerance for error – the design minimizes
hazards and the adverse consequences of accidental or unintended actions.
6. Low physical effort – the design can be
used efficiently and comfortably with a minimum of fatigue.
7. Size and space for approach and use – appropriate
size and space is provided for approach, reach, manipulation, and
use regardless of user’s body size, posture, or mobility.
(Information from: Centre for Universal Design)
A practical process
One of the most basic principles of inclusive design is that it is
rooted in a real understanding of the real needs of consumers, including
those who are normally excluded by poor design. It follows that successful
designs will be based on first hand consultation and involvement with
potential users. In practice this means working with older or disabled
people through all the stages of a product’s development. This
not only brings the product within the reach of these consumers, but
also has the welcome effect of leading to designs and features which
are attractive to everyone else. For all these reasons, inclusive
design is essentially a practical process. It is not a set of finite
rules which can be applied like sticking plaster, but an approach
which needs to be an integral part of product development, from the
start.
One designer Richard Seymour points out that it is
‘crucially important to begin with the end user, whose idea
was it that a bra should fasten at the back, what meathead decided
to put anti-arthritis pills in a childproof container? Or put the
instructions for an emergency eye-wash bottle in 6 point type?’
From Peto James (ed), Design: Process, Progress, Practice, The Design
Museum, London 1999.
Desirable products
Inclusively designed products need to be genuinely desirable. The
idea is not to end up with things which are easy to use but utilitarian
and uninspiring. Inclusive products need to chime in with consumers’
lifestyles and aspirations just like any other product. It follows
that inclusive design does not conflict with any of the principles
of good design. Ricability would argue that inclusive design is a
necessary feature of all good design.
A creative approach
The concept of Universal Design goes beyond the mere provision
of special features for various segments of the population. Instead
it emphasises a creative approach that is more inclusive, one
that asks at the outset of the design process how a product, graphic
communication, building, or public space can be made both aesthetically
pleasing and functional for the greatest number of users. Designs
resulting from this approach serve a wider array of people including
individuals with temporary or permanent disabilities, parents
with small children, and everyone whose abilities change with
age.
Jane Alexander, Strategies for teaching universal design, taken from
Hubert Froyen, Crisp &Clear, Number 4, European Institute of Design
and Disability, 2000.
Fewer adaptations
Inclusive design aims for products which are usable by as many people
as possible without obliging them to make any special effort or add
on adaptations. Even so, it is likely that there will always be some
people who remain unable to use a product because of the nature of
their impairment. Better design and more innovation should mean that
fewer people are excluded for this reason. However, products which
are designed to inclusive design principles will also be compatible
with extra attachments where these are needed. It should also ensure
that these attachments have the appeal and style of the products they
are to be used with.